In the green version the bear and tiles speak with one voice. A deep forest glaze lifts the flower reliefs, while the cast-iron doors at the base close the classic stove silhouette. A project where colour matters as much as ornament.
The same form, another tone — a cooler sea-green glaze shows how flexible the highland bear motif can be. A sculpted crown, a band of rosettes and calm fields between them build a vertical line that leads the eye from the fire up to the beam under the ceiling.
In white the bear becomes even more sculptural: a calm glaze, soft light and timber all around. This frame closes the series — the same character, different moods, always with the bear on top.
